Official Selections to 2018 Sonscreen Film Festival

Dramatic Short

She Isn't Here

The Chocolate Shop

Question I Imagine My Black Daughter Will Ask Me

Shortstop

Chiaroscuro

You Can't Save Everyone

A Madness in Me

Little Daylight

D'arline

 

DOCUMENTARY SHORT

Sisterly

Zahra

Greensill Groove

My Faith My Fro: Hair I Am

Native ISO

Connections

A Different God

Issues

What SMing Is Really Like

 

COMEDY SHORT FILM

Who Framed Lyndon Johnson

Anne With an E

Senior Year

Still Senior Year

At Grainger

The Survivalist

 

ANIMATED SHORT

Ila

Satellite

The Answer

Paige's Pastel

A Brief Power Struggle

Rock Hazard

Le Petit Oberservateur

 

ART/EXPERIMENTAL SHORT

125 Pounds

Victory

Bear Market

Genesis

Anonymity

Numb

Learning to Swim

 

HIGH SCHOOL SHORT

Ha'awi Aloha

The Life of Earl   

The Fool's Prayer

Living

The Backyard Beekeper

Hiddin Color

The Awakening

Tech Zombies

You're It

 

 

 

 

 

 

 

 

 

 

Sonscreen Film Festival Submissions 

The Sonscreen Film Festival carefully assesses each film submission, and it reaches a final consensus based on a set of subjective criteria and requirements. This is a meticulous task. Each year, Sonscreen thoroughly evaluates every single submission. A number of highly qualified films are chosen to be screened at the festival as the official selections.  

All films must be submitted and paid for through WithoutABox.com

Please read the instructions below before submitting your film to the Sonscreen Film Festival

 

Film Categories

Official selections will be either selections in-competition or selections not-in-competition. The five categories for film in-competition are: Dramatic Short, Comedy Short, Animation Short, Documentary Short, and High School Short.

Only films in-competition will compete for the Sonny Awards, except the Audience Choice Award. All official selections are eligible for the Audience Choice Award. 

A select number of not-in-competition student and professional films are featured each year for exposure and acknowledgment of their work, mentoring purposes, and professional networking opportunities.

In-competition requirements

The following requirements, in addition to the subjective judging process (outlined below), must be met for a film to qualify as in-competition:

  1. Film must have been completed after January 1, 2015.
  2. Filmmaker must have clearance and permission to use all copyright protected music and any images used in the film.
  3. Films must have been completed while filmmaker was a student at a recognized educational institution. No paid commercial, theatrical, or TV releases will be accepted for competition.
  4. Sonscreen requires that all “above the line” production roles be filled by students. Sonscreen defines “above the line” as the following: Producer, director, screenwriter, director of cinematography, and editor. Other creative roles may be filled at the discretion of the filmmakers. We encourage as many of the other creative roles as reasonably possible be filled by students as well, and to only receive instructional help from professional educators. These distinctions are difficult to draw specific lines around, but the festival director reserves the right to disqualify a film if there is significant creative influence by teachers or other professionals. Festival director, in consultation with relevant teachers, will make a decision that is the most fair to all films and filmmakers in competition.
  5. Movies submitted to the Sonscreen Film Festival must uphold the values of the festival, portraying uplifting themes and refraining from displaying (if you have questions, please ask):
    1.  Offensive language
    2.  Nudity or sexually explicit scenes
  6. Films must not exceed 30 minutes in length, including credits.
  7. All films submitted must be in English, subtitled in English, or dubbed in English.
  8. A separate entry form and additional entry fee must be submitted for each film. 

Judging Criteria

The Official Sonscreen Jury evaluates film entries based on several subjective criteria: Originality, Creativity, Plot, Pacing, Structure, Characters, Dialogue, Theme, Cinematography, Direction, Writing, Entertainment Value, Overall Quality of Production.

Film critique is not an exact science. Powerful new ideas, expressions and methods of communicating and effectively telling a story arise constantly, reshaping old ideas or paving over them completely. Not every Award winner or nominee scores “10s” across the judging table. The weight of each category varies with the nature of each entry.

Originality
The uniqueness and originality of the premise or story. 

Creativity
The effective use of imagination as evidenced in the entry.

Plot
The actions, events, conflicts, and turning points that propel the story forward. How the story unfolds.

Pacing
The timing of the action, unfolding of plot elements and character development. 

Structure
The framework of the film or script. Effective use of three-act, odyssey, linear, or non-linear story progression.

Characters
Personalities that are distinctive, compelling, multi-layered, and unpredictable. A protagonist and antagonist with clear and active goals.

Cinematography
The quality of cinematography or videography demonstrated in the work. Is the camera steady and are the shots framed and focused? Are close-ups and camera angles used to add meaning to the story? Is the lighting and camera positioning visually effective?

Editing
Does the editing help to clarify the story and enhance the pacing and flow of the story? Are transitions smooth and well-paced, or distracting? Are the opening titles and closing credits appealing and easy to read?

Audio, Music, and Sound Effects
Does the audio and soundtrack complement the story? Are audio levels consistent? Is the dialogue and/or narration clear and easy to understand? If there are sound effects, are they appropriate to the story, or do they detract from it?

Direction
The quality of direction exhibited in the work.

Entertainment Value
Does the story keep the viewer's or reader's attention? It is fun, engaging, or thought-provoking?

Dialogue
Voices that are natural, succinct, and unique to each character. Use of language that effectively reveals character and moves the story forward.

Overall Quality of Production or Script
Is the entry well constructed and well executed as a whole?

Filmmaker Attendance

Recognizing that it is financially challenging for students to travel, Sonscreen encourages filmmakers to attend the festival. To this end, we will provide assistance to educational institutions so filmmakers may attend. Sonscreen Film Festival is unable to provide direct financial compensation for travel expenses or additional expenses incurred during the festival. 

Publicity and Marketing

All selected films may be excerpted for publicity purposes. Sonscreen Film Festival reserves the right to promote any film or script to print, broadcast, or internet media as required to market the festival or our parent organization.

Theatrical and Event Screenings

By submitting your project to Sonscreen Film Festival, after final programing decisions are made, the filmmaker grants non-exclusive rights to showcase their film during the festival in as many screenings as required. In addition, Sonscreen retains non-exclusive rights to repeat films for the purpose of marketing and promotion after the end of the festival. 

Internet Broadcast (Coming Soon)

Sonscreen may make films screened at the Sonscreen Film Festival available for non-commercial Internet broadcast on the Sonscreen Film Festival website. Filmmakers have the ability to opt out of this program upon acceptance into the festival. This is an optional program in which the filmmaker has the ability to opt-out by contacting the film festival director.

 

The SONscreen Film Festival reserves the right to remove a film from the festival program for any reason or for no reason and shall not be liable for any refund or claims of any kind arising out of such removal.

 

 

2018 Sonny Award Honorees

BEST IN FESTIVAL AWARD
• Sisterly (Nina Vallado)

AUDIENCE CHOICE AWARD
• Sisterly (Nina Vallado)

JURY SELECTION AWARD
• Genesis (Julian Ybarra)                    

BEST DRAMATIC SHORT AWARD
• She Isn't Here (Michelle Noland)    

 Dramatic Short, Honorable Mention         •The Chocolate Shop (Vester Banner III)  

BEST DOCUMENTARY SHORT AWARD
• Sisterly (Nina Vallado)

Documentary Short Honorable Mention   • Zahra (Sarah Tan)    

BEST COMEDY SHORT AWARD
• Who Framed Lyndon Johnson (Andrew Hansen)

Comedy Short Honorable Mention              • Anne With an E (Sarah Tan)    

BEST ART EXPERIMENTAL AWARD
• 125 Pounds (Joshua Martin)

Art/Experimental Honorable Mention       • Victory (Morgan Sanker)  

BEST ANIMATED SHORT AWARD
• Ila (Kit Clements and Kacey Layson)

Animated Short Honorable Mention          • Satellite (Yuta Higuchi)

BEST HIGH SCHOOL SHORT AWARD
• Ha'awi Aloha (Kayli Pascal-Martinez)  

High School Short Honorable Mention      • The Life of Earl (Arik Amodeo)  

BEST CINEMATOGRAPHY AWARD
• Joshua Martin (125 Pounds)  

BEST ORIGINAL SCREENPLAY AWARD
• Vester Banner III (The Chocolate Shop)

SONSCREEN VISION AWARD                            • Debra Brill